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The $17 million role that John Travolta gave up just days before filming began

After the success of pulp FictionJohn Travolta became one of Hollywood’s most sought-after actors, with a string of hit films that skyrocketed his popularity (and earnings). With the subsequent publication of Get Shorty, Face/Off And Michael, The actor made the most of his increasing fame and booked back-to-back projects. However, there was one particular role that was supposed to be Travolta’s biggest role, but he suddenly pulled out of it just days before filming.

The insidious director Roman Polanski was supposed to make a film called Double in 1996, when Travolta’s agent gave him a $17 million deal to star. It was originally intended to be an adaptation of Dostoyevsky’s book, with Isabelle Adjani joining the cast in a supporting role alongside Travolta and John Goodman. The film was greenlit and ready to go. Sony subsidiary Mandalay Entertainment produced the project, with a release date set for 1997.

However, due to the technical logistics of making a film featuring a rapist, the film could not be made in America as the director was actively avoiding incarceration. Polanski had fled the United States in the 1970s to avoid prison, and if he ever visited the country again he would risk being captured by authorities. However, this being Hollywood, that didn’t stop him from working in a film and making new films that are a damning reflection of the film industry and the importance of women’s safety.

Filming was scheduled to take place at Polanski’s hideout in France, and Travolta traveled there in May 1996 to begin pre-filming rehearsals. However, things quickly went sour and Travolta walked off set just days into filming, with alleged arguments over some recasts of his character, with the actor and director apparently arguing on set.

It was reported that Polanski had added a nude scene to the film without consulting Travolta, and the actor saw no need to include it, leading him to abandon the project entirely. While Polanski tried to keep the film alive, he inevitably failed and the film was killed.

In the months that followed, many conflicting views were expressed, all with different versions of why the film had been such a huge failure. Polanski claimed he didn’t like Travolta’s acting style, and Travolta had to hire a team of lawyers to avoid the legal consequences of canceling the film, which understandably left the production companies very unhappy. The case finally went to court six months later and the case was not resolved until 2001.

While Polanski’s version of this story thankfully never made it to the screen, it was later adapted by Richard Ayoade in 2013, with Jesse Eisenberg and Mia Wasikowska in the cast. Surprisingly, none of them received anywhere close to $17 million, but at least it was earned, which is far more than Polanski can ever say.

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